YUEYUNFENG

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	<title>YUEYUNFENG</title>
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	<description>YUEYUNFENG</description>
	<pubDate>Sun, 26 Jan 2025 16:45:01 +0000</pubDate>
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		<title>Desktop</title>
				
		<link>https://yueyunfeng.monster/Desktop</link>

		<pubDate>Sun, 26 Jan 2025 16:44:54 +0000</pubDate>

		<dc:creator>YUEYUNFENG</dc:creator>

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		<title>Bio</title>
				
		<link>https://yueyunfeng.monster/Bio</link>

		<pubDate>Sun, 26 Jan 2025 16:44:56 +0000</pubDate>

		<dc:creator>YUEYUNFENG</dc:creator>

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岳云枫 YUE YUNFENG


*2000, Shenzhen, China2018 - 2022 Bachelor of Arts Photography, Shanghai Institute of Visual Arts
Recently living and working in Berlin and Bern.
Current creation is mainly media art, based on image studies and focused on digital image production under screen culture.


	Selected group exhibitions include:

	
“First Shanghai international Digital Art Fair”, Xiao Hui
Wang Art Museum, Shanghai, 2023; “Mirage or Reality”, chi K11 museum, Shanghai, 2021; “Will tomorrow be better？”, Yell Space, Shanghai, 2021; “Pan Future”，K11 select, Wuhan, 2021; “ArtosphèreⅡ”, Shanghai, 2021; “Passif Office”, Shanghai, 2020; “Trattatao della Pittura”, Shanghai, 2019; “Sunday Magic Carpet”, Shanghai, 2019; “You are… once you come here”, Shenzhen, 2018
	

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		<title>whoWHOhahei</title>
				
		<link>https://yueyunfeng.monster/whoWHOhahei</link>

		<pubDate>Sun, 26 Jan 2025 16:44:56 +0000</pubDate>

		<dc:creator>YUEYUNFENG</dc:creator>

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		<description>whoWHOhahei000
2022

︎︎︎ https://www.instagram.com/tv/Ccn4qIOJ2Wo/?igshid=YmMyMTA2M2Y=

︎︎︎ https://radii.co/article/who-lockdown-art-videos


	During the Shanghai lockdown, A 19-second video was produced for the WHO project. [WHO also sounds same to Hù 沪, which is one of Shanghai's nicknames]. WHO’s lockdown videos have been wittingly designed to bypass AI-powered censorship and increase their chances of going viral. As artists from here, we know how to apply witty sarcasm and metaphors to avoid censorship of sensitive content.


With the uncertainty of the domestic epidemic and the high level of control over Personal action trajectory through administrative regulations, the staff in protective clothing brings an unprecedented atmosphere of dystopian white terror. In whoWHOhahei000, a CG character in protective clothing performs the popular internet dance "Listen to me, thank you". Using audio processing, a panic-inducing WeChat translation error is read aloud about the works of household disinfection.


	Group Notice


各位宝宝们下午好
明天下午1点公寓会安排消杀工作，
如果有需要入户消杀的宝宝们
请微信与我们沟通哈Good afternoon.Tomorrow afternoon at 1:00apartment will arrange the killing work, 
if there is a need to kill the baby in the house, 
please communicate with us through WeChat


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		<title>face2many</title>
				
		<link>https://yueyunfeng.monster/face2many</link>

		<pubDate>Sun, 26 Jan 2025 16:44:57 +0000</pubDate>

		<dc:creator>YUEYUNFENG</dc:creator>

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		<description>


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		<title>Digital Figure</title>
				
		<link>https://yueyunfeng.monster/Digital-Figure</link>

		<pubDate>Sun, 26 Jan 2025 16:44:57 +0000</pubDate>

		<dc:creator>YUEYUNFENG</dc:creator>

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		<description>
	
DIGITAL FIGURE&#38;nbsp;
2023


The project is a creative practice in the service of fashion photography, explores fashion photography in the digital age and under the influence of screen culture, produced entirely with digital technology. The 3D character models were produced based on a large resource of female character data collected from the internet. 

These resources themselves — the massive digital models of people that were created — imply the collection of Big Data that has already occurred in the service of body image profiling. It is also about how individuals are judged and presented to the world, and how individuals control their image of the world. Such a model image is a particular image of man in the age of Big Data and at the same time the embodiment of man in the internet society.


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		<title>Just Around the Corner</title>
				
		<link>https://yueyunfeng.monster/Just-Around-the-Corner</link>

		<pubDate>Sun, 26 Jan 2025 16:44:58 +0000</pubDate>

		<dc:creator>YUEYUNFENG</dc:creator>

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		<description>Just Around the Corner
2021

	
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Artist：

吕典&#38;nbsp;@lvdiankk
黄佳婕&#38;nbsp;@extralegallambb
 Nathan Harper @nathan_harper_art
 Ruslana Dorda @skyhoje
 Salomé Aurat&#38;nbsp;@salomeaurat
孙培瑾&#38;nbsp;@creatisan_
 Victor Crepsley @victorcrepsley
玩鸭&#38;nbsp;@akoangyazi

羊 @tszkwany
岳云枫&#38;nbsp;@maplebopp


Yue Yunfeng has curated and produced a virtual online exhibition. This exhibition production presents a virtual cave space with works by ten young artists. The relationship between work and space is established by connecting these works by young artists who have just begun to create art as the first state of art with caves - the setting of mankind's earliest artistic creation. The title of the exhibition is "Just around the corner", and when people say this phrase, they are usually looking for a buffer in time. Combined with an exhibition space that has to turn all the way and has no clear end point in the closed circuit, it expresses the uncertainty of young artists about their own artistic future. The cave represents a less clear temporary shelter, but also the possibility of incubation and incubation in a humid and warm way.
The first offline presentation of the project took place in the exhibition "Mirage or Reality" at the Chi K11 Museum as part of the project "OvO Mixing" in collaboration with Slime Engine, which compared its institution itself to an airline hub and made a connection to my virtual exhibition space project.


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with Slime Engine OVO Mixing in chi k11 museum, 2021</description>
		
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		<title>We are all fire-breathing female monsters</title>
				
		<link>https://yueyunfeng.monster/We-are-all-fire-breathing-female-monsters</link>

		<pubDate>Sun, 26 Jan 2025 16:44:59 +0000</pubDate>

		<dc:creator>YUEYUNFENG</dc:creator>

		<guid isPermaLink="true">https://yueyunfeng.monster/We-are-all-fire-breathing-female-monsters</guid>

		<description>We are all fire-breathing female monsters

2020
Based on the concept of "我们全都是吐火女怪" from Wang Minan's translation of Donna Haraway's The Cyborg Manifesto [The translation directly translates Chimera as the fire-breathing female monster, a functional direct translation with Chinese characteristics]. Image production using fashion photography as a reference form, with symbolic props and post-production special effects. This attempts to show the aesthetic product of traditional Eastern mysticism mix futurism.
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	<item>
		<title>You are... once you come here</title>
				
		<link>https://yueyunfeng.monster/You-are-once-you-come-here</link>

		<pubDate>Sun, 26 Jan 2025 16:45:00 +0000</pubDate>

		<dc:creator>YUEYUNFENG</dc:creator>

		<guid isPermaLink="true">https://yueyunfeng.monster/You-are-once-you-come-here</guid>

		<description>来了就是 You are... once you come here 2019


In this project, a video, a photographic book and an exhibition were produced.
The subject of the video 别摇了滚 is the state of the assembly of rock music fans. It reflects that part of collectivity and social identity that should be broken through. The narratives are taken from two western sociological works. One of them directly criticises the collective in a didactic way and the other tells about the psychological conflicts of people in an empirical way in practice. In the same year, the video was exhibited in "You are... once you come here" and in 2021 in Wuhan K11 "Panorama Future".

&#60;img width="4725" height="7087" width_o="4725" height_o="7087" data-src="https://freight.cargo.site/t/original/i/9009e26e507b36ca27da511cdefe4dae208a4a885552485ac344b5257d146c03/.jpg" data-mid="225548712" border="0" data-scale="23" src="https://freight.cargo.site/w/1000/i/9009e26e507b36ca27da511cdefe4dae208a4a885552485ac344b5257d146c03/.jpg" /&#62;
&#60;img width="1080" height="1440" width_o="1080" height_o="1440" data-src="https://freight.cargo.site/t/original/i/4fdb30d2af20e327f02f174283bc3f7e0b943932549513bcd13a5ffad6d45414/IMG_9285.JPG" data-mid="225548704" border="0"  src="https://freight.cargo.site/w/1000/i/4fdb30d2af20e327f02f174283bc3f7e0b943932549513bcd13a5ffad6d45414/IMG_9285.JPG" /&#62;
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&#60;img width="1083" height="1080" width_o="1083" height_o="1080" data-src="https://freight.cargo.site/t/original/i/f991e6a80ab9fcecb09ed8abde2960a8937e07e9c4929388e0ae1123ba928966/IMG_9288.JPG" data-mid="225548707" border="0"  src="https://freight.cargo.site/w/1000/i/f991e6a80ab9fcecb09ed8abde2960a8937e07e9c4929388e0ae1123ba928966/IMG_9288.JPG" /&#62;
&#60;img width="1082" height="1080" width_o="1082" height_o="1080" data-src="https://freight.cargo.site/t/original/i/b3dc75124b144d47dd547684a24fa7a8dd9c29b512c17183742d1b7173583e20/IMG_9287.JPG" data-mid="225548706" border="0"  src="https://freight.cargo.site/w/1000/i/b3dc75124b144d47dd547684a24fa7a8dd9c29b512c17183742d1b7173583e20/IMG_9287.JPG" /&#62;
&#60;img width="1081" height="1080" width_o="1081" height_o="1080" data-src="https://freight.cargo.site/t/original/i/f2c6f12b49b59d185216ed2151d108830a4a1fd9e43b75f16efbce4d226c57e1/IMG_9289.JPG" data-mid="225548708" border="0"  src="https://freight.cargo.site/w/1000/i/f2c6f12b49b59d185216ed2151d108830a4a1fd9e43b75f16efbce4d226c57e1/IMG_9289.JPG" /&#62;

	
The exhibition "You are… once you come here" invited 5 local young artists from Shenzhen. Together with Yue Yunfeng, they have performed at the famous Brewing Sugarjar Livehouse in Shenzhen. In the unique context of Shenzhen, "You are..." is namely "You are Shenzhener when you come here", the influence of which serves as a city slogan and also admires many young people (labor force). But it has caused great controversy at the same time. These influences and controversies come precisely from people's expectations and questions about collectivity. With the semi-open theme "You are… once you come here", the immersive exhibition presents in a theatrical way that has formed a temporary collective space with behaviour, video, sound, body, etc. The artists and the audience from the exhibition are also part of the collectivity in the current situation. They discuss and reflect on the dependence on social collectivity that is unconsciously caused by the individual.&#38;nbsp;
The photographic works have a certain romantic undertone, they collect the scenes of the performances of the Chinese rock music ecology and the related group portraits in the two years around 2018. These images constitute the vague collective perception or individual memory.


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	<item>
		<title>Heim</title>
				
		<link>https://yueyunfeng.monster/Heim</link>

		<pubDate>Sun, 26 Jan 2025 16:45:01 +0000</pubDate>

		<dc:creator>YUEYUNFENG</dc:creator>

		<guid isPermaLink="true">https://yueyunfeng.monster/Heim</guid>

		<description>Heim
2021
During the Artosphère II workshop, a one-minute video was made based on an earlier Biosphere 2 experimental project. The video content refers to the currently most well-known experience of closed systems as isolation at home, and the tedium of the repetitive movements of characters in virtual environments. Testing and discussing the possibility of reconstructing life in an ecosystem in a hostile environment. The model of the shed in the video is based on the exhibition space (the vegetable shed of the Academy of Arts).


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